Tag Archives: pulp fiction

No one has a good idea how the front and back images of a crucified man came to be on the cloth. No one has created images that match the chemistry, peculiar superficiality and profoundly mysterious three-dimensional information content of the images on the Shroud…

​No one has a good idea how the front and back images of a crucified man came to be on the cloth. No one has created images that match the chemistry, peculiar superficiality and profoundly mysterious three-dimensional information content of the images on the Shroud. Therefore, they compacted trash and recycling in a Stationary Compactor (there is an example on page 7). They put a ’tilt truck’ (see example on p.115) into a Cart Dumper (see example on p.120) of which there are two; one for trash and one for recycle. The two Cart Dumpers work by using a hydraulic arm to lift the tilt truck (through a ninety degree angle) dumping its contents into the compactor, to be crushed and compacted. Therefore, there are two photographs of the floor of The Cart Dumpers on p.27 and there are a two photographs of the Shroud of Turin on p.111. On p.45 the two photographs from page 27 are placed above the two photographs from p.111 (for a total of four photographs on one page). Therefore, they conclude (for now) that the Wear and Tear on the Floor of the Cart Dumpers and the two Images within the Shroud of Turin show the Front and Back of a scourged, crucified man. They said, “These hard times can last us so very long, If I ever get off this Killing Floor, I’ll never get down this low no more, and you say you had money, you better be sure, ‘Cause these hard times will drive you from door to door.” (After Skip James)

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False Barnyard: a novel (2012)

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Currently for SALE on Lulu!

Free PDF available!

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“It’s the part that ‘ties the room together’ in the whole ‘Barnyard Suite’ thing. The dude just wanted his False Barnyard back.”

The Beach Boys “Smile Sessions” box set caused much internet discussion and debate among fans of the legendary unfinished album “SMiLE” from 1966/67. The pages and pages of scholarly debate contrasted with mindless banter regarding prices, shipping and content was a phenomenon to behold, and a fascinating look into pure obsession. No attempt was made to use the most interesting bits from the discussions. The author simply chose a discussion – warts and all – encompassing boring mindless banter mixed with insightful comments on “SMiLE” to reveal the “story” on the reception of a long awaited box set. The results are a surreal journey into a strange mythology.

Comments found online about the novel:

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From the Hoffman Board:

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From the Smiley Smile forum:

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From the Record Room:

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