Dictionary of non-notable Artists : Gregor Weichbrodt
2001: A Space Odyssey – Stanley Kubrick’s 1968 sci-fi masterpiece – seems an appropriate place to start a blog about typography in sci-fi. Amongst other delights, it offers a zero-gravity toilet, emergency resuscitations, exploding bolts, and product placement aplenty. It’s also the Ur Example of Eurostile Bold Extended’s regular appearance in spacecraft user interfaces.
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“After studying Alien in intimate detail, it’s time to look at the typography and design of Ridley Scott’s other classic sci-fi movie,Blade Runner. Based on Philip K. Dick’s novel Do Androids Dream of Electric Sheep?, Blade Runnercements Scott’s reputation for beautiful, gritty, tech noir science fiction.”
[French, English] — Monoskop Log
Pour la forme was one of the first projects of the newly formed Situationist International. The publication collected texts of Asger Jorn from the immediately preceding period. As Jorn explained in his introductory “Notice,” the texts collected in that book reflected the evolution of his experiments and encounters among radical avant-garde currents following the dissolution of the Cobra group (1948-1951) and leading up to the formation of the SI in 1957.
One 258, 226 word sentence passes through three novels. A trilogy (from Greek τρι- tri-, “three” and -λογία -logia, “discourse”) is a set of three works of art that are connected, and that can be seen either as a single work or as three individual works. They are commonly found in literature, film, or video games. Three-part works that are considered components of a larger work also exist, such as the triptych or the three-movement sonata, but they are not commonly referred to with the term “trilogy.”
Van Buskirk was attracted to the ‘three novel’ book format through Samuel Beckett’s The Trilogy, consisting of three novels, Molloy, Malone Dies, and The Unnamable. Taken together, these three novels represent the high-water mark of the literary movement we call Modernism. Within their linguistic terrain, where stories are taken up, broken off, and taken up again, where voices rise and crumble and are resurrected, we can discern the essential lineaments of our modern condition, and encounter an awesome vision, tragic yet always compelling and always mysteriously invigorating, of consciousness trapped and struggling inside the boundaries of nature.
Debates have arisen as to whether all biographies are fiction, especially when authors are writing about figures from the past. All history is seen through a perspective that is the product of our contemporary society and as a result biographical truths are constantly shifting. So the history biographers write about will not be the way that it happened. It will be the way they remembered it. Debates have also arisen concerning the importance of space in life writing.
On the other hand, some years ago the Art Newspaper named eighteen “Van Goghs” in public collections that had been downgraded as fakes or are works of questionable authenticity. Most of them were taken off display, including pictures in the Van Gogh Museum, the Kröller-Müller Museum, the Detroit Institute of Arts and the Nationalmuseum in Stockholm.
Well recorded is the controversy reigning for many years regarding the authenticity of some forty oil paintings previously attributed to the Dutch master artist Vincent van Gogh. Believed by some commentators and van Gogh art experts, these works of art may in fact actually have been executed by one of Vincent van Gogh’s pupils, perhaps someone within van Gogh’s circle or even may be deliberately faked variations of Vincent van Gogh’s art works. But this is controversial and if so, a fraud effected right back at the turn of the last century. Art scholars and expert historians alike constantly challenge and raise issues about van Gogh’s oeuvre and presumably will continue to do so.
The margin space on the page between the binding and the inside edge illustration or any printed element is called the gutter. At some time you unquestionably experienced an insufficient gutter. You open a book to find that the text’s inside edge is partially obscured by the tight binding. You force the book to open wider and ultimately break its binding. Printing and binding technology has become highly precise, but some variance is inevitable. This book shows the image of the painting divided in two by means of a generous gutter.
Examples of 2 sentence paragraphs are located on pages 33, 53, 56, 79 and 80, and collected into a monologue on p.340
The title of this drama provides the stage directions. Based on the title, the Dramatis Personae is also as follows:
The Sapir–Whorf hypothesis in linguistics states that the grammatical structure of a mother language influences the way we perceive the world. The hypothesis has been largely abandoned by linguists as it has found very limited experimental support, at least in its strong form. “We cut nature up, organize it into concepts, and ascribe significances as we do, largely because we are parties to an agreement to organize it in this way – an agreement that holds throughout our speech community and is codified in the patterns of our language. The agreement is, of course, an implicit and unstated one, but its terms are absolutely obligatory; we cannot talk at all except by subscribing to the organization and classification of data which the agreement decrees.” – Whorf